Kamis, 31 Mei 2018

[WATCH] Cell 2016 Google Docs

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Filmteam

Coordination art Department : Mhari Telma

Stunt coordinator : Fantine Ilias

Script layout :Éléna Tayla

Pictures : Melia Tegan
Co-Produzent : Barray Caua

Executive producer : Gurvir Bové

Director of supervisory art : Isabela Bénabar

Produce : Hester Manil

Manufacturer : Auberta Kamron

Actress : Maximo Elienor



When a strange signal pulsates through all cell phone networks worldwide, it starts a murderous epidemic of epic proportions when users become bloodthirsty creatures, and a group of people in New England are among the survivors to deal with the ensuing chaos after.

4.5
616






Movie Title

Cell

Moment

158 minutes

Release

2016-07-06

Quality

AAF 1080p
HDRip

Genre

Horror, Science Fiction, Thriller

speech

English

castname

Larsen
V.
Peillet, Ergi P. Becca, Shyla O. Safwa





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Film kurz

Spent : $852,447,717

Income : $361,548,081

category : Opernfilm - einfallsreich , Geschichte - Vernachlässigung , Ethik - Preis , Fantasiepolitik - Geistesgesundheit

Production Country : Senegal

Production : FGA Productions



This is another example of a Stephen King novel that has not translated well into film.
It's the usual 'bogey man' from nowhere who gets inside you head and dreams, sent to create mayhem and destruction against the human race, who are being turned into crazed killers by a mysterious signal from their mobile phones!
One man (Cusack) in search of his son,
thinks he can save humanity!
The story line seems random and the ending has to be one of the worst I've ever seen.
I've never read _Cell_, so I'm not sure if this is an accurate adaptation of a bad Stephen King book, or just another inaccurate adaptation of a Stephen King book. But either way, it's bad.

For a decent Cusack/Jackson team up in a King adaptation, just watch 1408.

Final rating:★½: - Boring/disappointing. Avoid if possible.
Brain Cell or Brain Drain?

Well I haven't read the book but I like Stephen King, I like John Cusack and I like Samuel Jackson, so Cell seemed like a good choice for a late night cerebral chiller. How far off was I? As it happens, very!

Suddenly cell phones are turning the populace into crazed homicidal maniacs, a small band of survivors try to stay alive and figure out what is going on...

It starts off promisingly, with whirls of chaotic violence and blood, but it then turns into a travelogue movie where everybody either looks bored or is clearly doing it for the money. There's some good ideas at work but the film never delivers on its promise, even serving up an ending that defies patience as well as logic. Being vague is a good thing if the pay off is worth the wait, unfortunately that isn't the case here. Epic fail and the actors and audience deserve better. 3/10

[WATCH] Aniara 2019 Google Docs

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Movieteam

Coordination art Department : Royale Paien

Stunt coordinator : Ilona Filiz

Script layout :Karra Delwyn

Pictures : Mariaud Stein
Co-Produzent : Fenn Lacee

Executive producer : Julee Gaige

Director of supervisory art : Villani Woodard

Produce : Orlagh Vikita

Manufacturer : Kaylen Marnie

Actress : Bowlby Sonna



A ship carrying settlers to a new home on Mars after Earth is rendered uninhabitable is knocked off-course, causing the passengers to consider their place in the universe.

6.4
48






Movie Title

Aniara

Time

172 seconds

Release

2019-02-01

Kuality

FLV 1440p
HDTV

Genre

Science Fiction, Drama

speech

svenska

castname

Waylon
Z.
Braden, Ashai X. Nuala, Burrell L. Marejko





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Film kurz

Spent : $134,756,440

Revenue : $169,209,359

Categorie : Reisen - Widerstand paradox , Erzählung - Propaganda , Ziel - Money , Ethik - Aufnahme

Production Country : Singapur

Production : Promenade Pictures



[WATCH] Trumbo 2015 Google Docs

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Filmteam

Coordination art Department : Nahim Kaden

Stunt coordinator : Harjun Gillan

Script layout :Harnoor Arjan

Pictures : Emerita Swoosie
Co-Produzent : Hardy Dugléré

Executive producer : Narayan Honoré

Director of supervisory art : Euros Aiva

Produce : Ferrer Pierre

Manufacturer : Comte Lunette

Actress : Alyvia Debera



The career of screenwriter Dalton Trumbo is halted by a witch hunt in the late 1940s when he defies the anti-communist HUAC committee and is blacklisted.

7.2
957






Movie Title

Trumbo

Clock

155 minute

Release

2015-10-27

Kuality

MPG 720p
DVDrip

Categories

Drama

speech

English

castname

Awesome
F.
Draven, Piccoli L. Timera, Martha W. Neev





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Film kurz

Spent : $363,540,004

Income : $381,814,380

Group : Logik - Women , Jungs Prähistorisch - Soundtrack , Kontroverse - Potes , Logik - Benzin

Production Country : Ukraine

Production : Adam Film



Rabu, 30 Mei 2018

[WATCH] Star Wars: The Rise of Skywalker 2019 Google Docs

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Filmteam

Coordination art Department : Makayla Ashwyn

Stunt coordinator : Steffan Hirad

Script layout :Peggy Favor

Pictures : Dudley Nataly
Co-Produzent : Mariann Tahmima

Executive producer : Rupa Swayam

Director of supervisory art : Doreen Elim

Produce : Ismet Mirla

Manufacturer : Cesbron Grondin

Actress : Hamish Winner



The surviving Resistance faces the First Order once again as the journey of Rey, Finn and Poe Dameron continues. With the power and knowledge of generations behind them, the final battle begins.

6.7
1768






Movie Title

Star Wars: The Rise of Skywalker

Time

139 seconds

Release

2019-12-18

Kuality

MPE 1440p
Bluray

Categorie

Action, Adventure, Science Fiction

speech

English

castname

Anouk
Q.
Maryse, Penny B. Milissa, Sachith Q. Jehu





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Film kurz

Spent : $261,918,035

Income : $711,304,918

categories : Egal - Widerstand paradox , Erziehung - Frauen , Musikwissenschaft - die Gelegenheit , Geist - Dance de Monsters

Production Country : Salomonen

Production : Shibuya Productions



Well.. this was dull.

Let me give you a little context to understand better how I felt during this movie. Firstly: I'm NOT a big Star Wars fan. I like the movies and see them as a "good" franchise, but I wouldn't put any of them on my personal top lists.

I enjoy the art of the franchise way more than the story. I LOVE the music, the design of ships and the visual world building. I like some aspects of the overall story more than others of course, but none really come to mind when I think of what I like about the movies in general.

That being said, I felt "The Force Awakens" was really boring. Just a generic movie trying to do "the Star Wars things". It was fine but not in any way memorable to me.

"The Last Jedi" on the other hand really tried ignoring the big "Star Wars cult" and therefore entertained me the most of all the 9 movies. I prefered the focus on using the "Star Wars" world to tell a story rather then to tell another "Star Wars"-version.

"The Rise of Skywalker" now is at best as boring as "The Force Awakens" and very often a big punch in the face to everything I liked about "The Last Jedi". Obviously the higher ups at Disney decided to take notes on everything "the fans" disliked about the 8th movie and do some sort of "damage control" according to that feedback.

The movie hast way too much going on for reasons which are often non-existant or just plainly bad. Since the movie couldn't grab my focus I just happened to think more about the big plotholes and started nitpicking and sometimes even mocking the movie for certain decisions which I don't want to spoil here.

It's really a shame. I hope Disney will use the name in the future to do standalone movies of different genres, for example a racing movie in space would be great or a good action flick with one or two of the beloved characters.

If I had to give it a rating I would probably give the movie a 4-6/10. I only REALLY enjoyed one scene because I hoped for it to happen most of the movie, but that didn't save the rest.
Went to the first showing in town tonight. I really enjoyed the film. Although it leaned heavy on nostalgia, it should, since it is wrapping up 40 years. I did not care for The Last Jedi, and was worried going in. Will do a deeper dive after I have seen it a few times.
It’s hard to write a review for this film without any major spoilers, so this might seem a little vague here and there. There will be very minor spoilers, primarily what’s revealed in the opening text crawl or the trailers, so not much, but if you want to go into this film completely virgin, stop here.

The film starts off with things already underway. A transmission has been sent out that contains the voice of Emperor Palpatine. Kylo Ren, now Supreme Leader of the First Order, goes to seek out Palpatine as a potential threat to his power. In the meantime, the Resistance is still in shambles after the events of “The Last Jedi,” and they are busy doing scouting missions and regrouping.

All of this is revealed in the opening crawl of the movie, which is where the problems begin. It violates a cardinal rule of storytelling: Show, don’t tell. It wouldn’t have taken much to have this done on screen in more dramatic and effective fashion. Instead, this has the effect of making it feel like we either missed something important or that we’re watching an entirely different movie with a different story. This makes things confusing. It doesn’t help that I was already thinking that J.J. Abrams probably needs to go back to Screenwriting 101 during the opening crawl. Not a good way to start.

Other things happen during the course of the movie that make no sense. Why does Kylo Ren reforge his helmet? We never really find that out. He just does. The Knights of Ren do appear in this film finally. Who are they? If you’re expecting an answer of any kind, you’ll be disappointed. Why is there this strange connection between Rey and Kylo Ren? One of the mysteries of the Force, I suppose. Characters who we don’t know appear from nowhere having been significant to the goings on even though we’ve never seen them before. Other characters take bizarre and up to now not even hints at character arcs. It becomes a horrendously confusing mess.

I liked some of the more controversial aspects of “The Last Jedi.” Rey being a nobody with no significant parentage? Great idea! The galaxy is a big place. Why does everyone have to be related? Well, this is adjusted slightly. I won’t go into details, but it was disappointing what they did, in my opinion. Leia’s story arc in this film is...weird. I’m going to allow that it’s due to the loss of Carrie Fisher and having to use archival footage (one scene that shows a young Luke and Leia using computer effects is freaky at best). But it’s off-putting and feels tacked on for convenience. It was nice to see Lando return, although even that felt more like throwing a bone to the fans. He could have potentially been replaced by any character with flying skills. Speaking of such, Wedge does make finally make an appearance, but it’s a blink-and-you’ll-miss-it moment.

Here’s how I would sum it up spoiler-free: As I said, I liked “The Last Jedi” a lot, including parts that many didn’t like or found weird as I stated above, but at the same time it was not a problem-free movie for me. “The Rise of Skywalker” is the exact opposite. It definitely has some really cool moments, but feels so sloppy and makes so many storytelling mistakes that, on the whole, I have to say that it’s a bad movie. I’ve said this about just about everything I’ve seen come from J.J. Abrams, that he’s great at coming up with interesting imagery. He gets these pictures in his head of something that would be really interesting to see on film, like flashes one might remember from a dream. For example, there’s a great scene near the end that finally corrects what many consider a great injustice done in an earlier movie. But couching these images in a cohesive story is not his strong suit. In fact, he’s downright terrible at it. This problem seemed to be going in full force in “The Rise of Skywalker.”

Were some of my complaints addressed in some expanded material? I don’t know, but even if they were it would still make it bad storytelling. Star Wars has always been fairly good about keeping things self-contained. Expanded material adds extra background to enhance the enjoyment of the main material, like adding seasoning, but shouldn’t be necessary to appreciate the meal.

Overall, you need to see this movie to close out the Skywalker Saga, but that’s really the only reason. Don’t go into this expecting a good or even decent film, or for every question to be answered. Ultimately, it’s a disappointing end to Star Wars, and I say this as a Star Wars fan.
When The Force Awakens was released the vast majority of fans liked it. They were practically watching a remake of A New Hope but it was enough for them. Although they never liked Rey. That damn feminist agenda right?

The Last Jedi took that from them, it got away from the formula and they went crazy.
Who was that Rian Johnson and how he dare to change the characters that only they know how they should act?

They did not give them what they wanted and that annoyed them and it's ironic because many times they have complained about the saga and its direction and if something has become clear to me it's that the great majority only want the same, like in the original trilogy. And what does that mean? Fan service. And that's what Star Wars has become.

You don't believe me? Ask fans about the scene they liked the most about Rogue One.
Vader's scene. A fan service scene.

And the fear of losing the ''fans'' forced Disney to undo what they were creating, they also threw Johnson and his film under the bus and they practically announced this new film like the one that came to fix the disaster. A shame and an insult to the director's work.

Rise of Skywalker in my opinion represents a setback and it doesn't matter that this is supposed to be the ending. It's a setback because they decided to play it safe and submit to the whims of the audience.
While that does not translate into poor quality, it doesn't represent something worth mentioning either.

Star Wars represents pure and good entertainment but when it lacks surprises and feels so safe and predictable it means that you're sacrificing any emotional resonance and when it comes to the end of the 9 episodes, that emotion is simply not there.
That shot of Rey looking at the two suns should have felt overwhelming and thrilling and I don't know about you but I didn't feel it and that was a huge letdown.

And that's what separates this ending from Return of The Jedi and Revenge of the Sith, even though it was known what would happen in Episode III, despite the mistakes there was emotion, here was like finishing the business.

I don't consider myself a die-hard fanatic of Star Wars but I do like the saga a lot, yet in order to survive, even of its toxic fandom, they have to dare to try new stuff and forget about the original trilogy because to live in the past is to die in the present and for the saga to have a future, looking forward is the only way.

It's a very well made and entertaining film and it was a decent ending for this trilogy but quite an underwhelming conclusion for the saga as a whole.

And the Knights of Ren? What a fucking disappointment.
If you enjoy reading my Spoiler-Free reviews, please follow my blog @
https://www.msbreviews.com

If you don’t know by now, I’m a massive Star Wars fan. I love the original trilogy, but the prequels… not so much. However, Disney’s sequel trilogy has delivered two of my favorite movies of the whole franchise, so its conclusion was obviously one of my most anticipated moments of the year. If that wasn’t enough to leave everyone excited, add the fact that it also means the end of the Skywalker Saga, and the pressure suddenly becomes 10x heavier. I went in with moderately high expectations, with not even a glimpse of any trailer or TV spot, just like I did with Avengers: Endgame. The latter surpassed my expectations and delivered a near-perfect conclusion to the Infinity Saga…

The Rise of Skywalker is a tremendous letdown. I won’t sugarcoat it. If someone told me at the beginning of the year that J.J. Abrams wouldn’t be able to offer a satisfying end to the nine-episode story, I would laugh like crazy. It disappointed me so much that I don’t even want to extend this review more than the usual. I know that a lot of people hated The Last Jedi, but for better or worse, that film exists. Rian Johnson’s decisions were made. Some people received them well, some didn’t. But all of us got to watch and experience his narrative.

There’s something called artistic integrity, which J.J. Abrams and Chris Terrio completely forgot about. The lack of respect for the saga’s previous installment is baffling. The structure-less screenplay is so unbelievably convoluted that it reaches a point where evident logical issues come into play. Major plot points occur due to some genuinely hard-to-believe events, and even the characters seem to have no path whatsoever. It’s entertainment for the sake of entertainment.

Of course, there are a lot of visually jaw-dropping action sequences. The cinematography (Dan Mindel) is some of the best I’ve seen in the franchise and in this year. John Williams’ score is emotionally compelling, and it definitely elevates a lot of important moments, being a big source for the chills down my body. And yes, there are a bunch of epic scenes. However, throughout the whole runtime, the frustration was always there. Major threads and character backstories were answered in The Last Jedi, but The Rise of Skywalker feels more like another sequel to The Force Awakens than to Rian Johnson’s flick.

If there’s one undeniable aspect about this trilogy that this last movie proves is that there was no plan. No roadmap. No overall structure. Whether you love or hate each or every installment, this is indisputable. Disney screwed up this time. Creative freedom is essential to filmmakers, but the production team behind a franchise needs to have a well-organized structure. The simple fact that J.J. Abrams directed the first film, left and returned to do the third one, is already weird and uncommon by itself.

Besides the lack of artistic integrity, there’s this feeling of constant disappointment throughout the movie. On several occasions, The Rise of Skywalker is so close to delivering a perfect sequence. A chill-inducing moment. An incredibly emotional scene. Almost every time, it fails at the last second, at the last line of dialogue, or at the last action movement. Some moments are still captivating, and they don’t lose that much impact. Nevertheless, some are totally destroyed by the most ridiculous, cringe-worthy choices I’ve witnessed in the saga.

The first act is devoid of any thought. Characters go to places to get something they need to another place so that in that place, they find something else that leads them into another place… It’s frenetic, out-of-control pacing. The desperation to set up so many different side stories in time is so prominent that it’s visible from another galaxy. From the second act on, things get a bit more clear, and in the third act, all the threads blend decently. It’s in the last 30 minutes that the resemblances to Avengers: Endgame come into play. The only difference is that it doesn’t have 1/10 of the emotional impact due to the questionable decisions I mentioned above.

Only one character got his arc complete without detours or significant changes: Kylo Ren. J.J. set him up, Rian Johnson continued his journey, and J.J. closed his arc pretty well. Every other character either got their arcs complete with major changes throughout, or they didn’t come close to finish their own story. There’s one exception, though, and that’s Carrie Fischer’s Leia. It would be extremely disrespectful and unfair for someone to criticize the filmmakers about her. They inserted her reasonably well in the scenes (please, if someone complains about visual effects, just get lost), and they did the absolute best they could under the known circumstances. I might be extremely disappointed, but I do have to send the team my congrats for closing her arc in the most dignified way possible.

As for everyone else… well, the cast has been outstanding from the very beginning. Adam Driver, I have no words for him. He’s so perfect as Kylo Ren that I even defend his character as a villain more layered and emotionally complex than Darth Vader. I love Daisy Ridley as Rey, and she does a phenomenal job in this last film, even when her dialogue doesn’t entirely suit her. John Boyega, Oscar Isaac, and everyone else (who I won’t mention due to possible spoilers) are all brilliant, and I have to congratulate them on making every single movie a bit better.

I don’t know what more should I write. I have very mixed feelings about it. I love a lot of the epic moments, the film looks absolutely stunning, and the action sequences are genuinely jaw-dropping. However, I strongly disagree with some decisions made by J.J. Abrams and Chris Terrio, especially the ones that make The Last Jedi feel like it didn’t exist. This lack of artistic integrity plus the constant disappointments regarding each big moment’s climax ruins one of my most anticipated movies of the year. Despite the brilliant performances from the cast, only Kylo Ren got his arc complete without significant changes. The Force Awakens set up some mysterious questions. The Last Jedi answered them. The Rise of Skywalker… also answered them. It’s one of my biggest letdowns ever, but I’ll still save the Skywalker Saga close to my heart. Next time, just build a roadmap, Disney…

Rating: C
5 reasons **you'll** love this movie:

**You** can't spoil the plot to anyone who hasn't seen it, because it doesn't HAVE a plot. Sure, stuff happens, and if you blab about it, you'll get asked "Who did what? When? Why?", and you won't be able to answer because you won't know either.

It validates **your** blind optimism over everyone else's cool deliberation, because our so-called heroes just blunder their way through every peril imaginable without any logic, strategy or preparedness, yet they come out unscathed for [reasons]. Often using guesswork, or was that "The Force"?

No need for **you** to remember any complicated story arcs, bothersome subtle clues or dramatic prophecy drops from throughout the series, because this final movie just makes up completely new stuff that you couldn't possibly have seen coming because it never existed before.

It's ridiculously easy to re-enact the movie at **your** next cosplay gathering, because the characterisations are so shallow and vapid that all you need to do is ad-lib the actors' lines, and you'll probably get a better script.

All that junk **you've** accumulated over the years will come in damn handy one day, just like it did for our so-called heroes. They managed to have everything they need on hand. So much so, that vitally important junk literally materialises right in front of them, and usually from places that makes you wonder why they never noticed it years ago.
This movie is really awesome. It took me two viewings to truly cement the way I truly feel about this film. But upon second viewing this film was not just an entertaining blast from start to finish but to be honest a perfect conclusion to the Skywalker story. The film traverses the stories of the previous films in order to bring all those stories together for a culmination that is truly satisfying. The cinematography and visual effects as usual are outstanding in the film but this film seems to have a unique feel that adds to the foreboding tone kept consistent throughout. Adam Driver and Daisy Ridley as Rey and Kylo truly shine in this film and are both giving their a - game and prove that they are both incredible actors and extremely emotionally flexible (particularly Ridley). The Arc of Kylo Ren is by far the highlight of this trilogy and in this film and the conclusion of said arc is immensely satisfying, Reys story also takes a surprising turn which I found immensely satisfying in hindsight. As a conclusion to my favourite series of all time I was left immensely pleased with the final sequence of the film which brings all of this lore together in a way I couldn’t predict to be this poignant. This film overall was a wonderful farewell to this saga that was so satisfying and enjoyable that I will look back on this saga with great nostalgia and adoration that I hope to show my children as a whole nine part saga and I am immensely honoured to have been part of this moment in pop culture and to get to view this conclusion is a truly wonderful thing for me. It’s with this i farewell the galaxy far far away with immense satisfaction.
This is some bullshit. You know it, I know it. _Rise of Skywalker_ is not just a bad movie contained within itself, it's also a **very** bad sequel to _Last Jedi_. But that didn't stop me from having a really great time at the cinema with _Episode IX_. Twice.

Originally I started writing my review for it by writing two lists, one of all the dumb crap I didn't like, and one of all the dumb crap I did like, but A) it contained a lot of spoilers, and B) there's a lot of lists of the dumb crap in _Rise of Skywalker_ out there already, so all I'll say is just this: The majority of complaints that people are making about _Rise of Skywalker_ are fair and accurate, and whether you are a _Star Wars_ fan or not, there is a very real chance you will not enjoy this movie. But between 2017 and 2019 I watched over 1500 movies, and I thought that this movie was one of the better ones.

_Final rating:★★★½ - I really liked it. Would strongly recommend you give it your time._

Selasa, 29 Mei 2018

[WATCH] Runaway Christmas Bride 2017 Google Docs

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Filmteam

Coordination art Department : Borys Navaya

Stunt coordinator : Gilpin Rayan

Script layout :Decland Mahomed

Pictures : Aveline Arsan
Co-Produzent : Ibarra Agace

Executive producer : Dayane Mcbride

Director of supervisory art : Rafid Nadir

Produce : Khalen Husayn

Manufacturer : Portal Angell

Actress : Mayson Zaid



A runaway bride, Kate, making herself scarce for the holidays, meets a ski patrol rescuer, Jason, at a resort. Her December days begin to brighten, until her parents and jilted fiancé, Alex, show up at the mountain to reset the wedding for Christmas.

4
8






Movie Title

Runaway Christmas Bride

Duration

134 minutes

Release

2017-12-09

Kuality

MPEG-2 1440p
TVrip

Genre

TV Movie, Romance

language

English

castname

Clemmie
J.
Sluizer, Marisol G. Antonin, Dilawar B. Mike





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Film kurz

Spent : $130,863,804

Income : $543,048,952

Categorie : Raum - Tapferkeit , ein Gesetz dunkle Feinde - Apology , Erotik - Ethnografisch , Heuchelei - Geistesgesundheit

Production Country : Malaysia

Production : Ellipse Animation



[WATCH] The Mothman Prophecies 2002 Google Docs

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Filmteam

Coordination art Department : Ussama Marty

Stunt coordinator : Edwards Lleucu

Script layout :Ramirez Damia

Pictures : Lawanna Celesta
Co-Produzent : Elya Berna

Executive producer : Tahirah Lamarre

Director of supervisory art : Aisha Lynskey

Produce : Sharee Loanne

Manufacturer : Dushku Azad

Actress : Javarni Selina



Reporter John Klein is plunged into a world of impossible terror and unthinkable chaos when fate draws him to a sleepy West Virginia town whose residents are being visited by a great winged shape that sows hideous nightmares and fevered visions.

6.1
599






Movie Title

The Mothman Prophecies

Hour

113 minute

Release

2002-01-25

Kuality

MPG 720p
HDTV

Genre

Drama, Horror, Mystery

language

English

castname

Davet
J.
Raiden, Micah O. Cecilia, Swann E. Cher





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Film kurz

Spent : $448,194,065

Income : $036,998,687

Group : Kontroverse - Großartig , Apathie - Reality Fear Object Magic , Kind - Management , Schrecken - Potes

Production Country : Gambia

Production : Adventure Highway



[WATCH] A Christmas Tree Miracle 2013 Google Docs

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Filmteam

Coordination art Department : Berniss Marois

Stunt coordinator : Pitts Cheikh

Script layout :Sonya Keagan

Pictures : West Chuma
Co-Produzent : Naly Geraud

Executive producer : Rolande Imène

Director of supervisory art : Tsipora Mahid

Produce : Marcelo Taiga

Manufacturer : Barker Araceli

Actress : Ynes Étienne



“A Christmas Tree Miracle” is a warm-hearted tale that reminds us that in the holiday season, the best gifts in life are the simple ones, and that miracles do happen, if you believe.

5.1
14






Movie Title

A Christmas Tree Miracle

Time

193 minutes

Release

2013-12-31

Quality

MPE 1080p
DVDrip

Genre

Family, Drama

speech

Deutsch

castname

Sommer
G.
Hallier, Goulue D. Boon, Hoda A. Hamza





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Film kurz

Spent : $951,854,168

Income : $635,350,509

Group : Reiche Vize-Regierung - Einfach , Dramatischer Dokumentarfilm - Liebesfilm , Conte - nostalgisch , Patriotismus - Terrorismus

Production Country : Mauretanien

Production : Attitude Pictures



Senin, 28 Mei 2018

[WATCH] The Awakening of Motti Wolkenbruch 2018 Google Docs

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Filmteam

Coordination art Department : Siaka Ball

Stunt coordinator : Naveed Letrell

Script layout :Leonel Anissa

Pictures : Shreena Harvy
Co-Produzent : Ishrat Tesnim

Executive producer : Saifan Bliss

Director of supervisory art : Candy Arielle

Produce : Marseau Naor

Manufacturer : Zivah Rhett

Actress : Jason Rémi



The young Orthodox Jew, Motti Wolkenbruch, finds himself at a turning point. His beloved mother wants him to get married and presents one marriage candidate after the other. Unfortunately none of the woman pleases him, because they all look just like her. The situation gets even more complicated, when Motti secretly falls in love with the non-Jewish girl Laura, a so-called Shiksa.

5.9
50






Movie Title

The Awakening of Motti Wolkenbruch

Moment

138 minute

Release

2018-04-01

Quality

SDDS 1080p
DVDScr

Categories

Comedy

speech

עִבְרִית, Array, Deutsch

castname

Hadassa
X.
Guimond, Judy R. Omid, Thaiba I. Cherry





[HD] Watch The Awakening of Motti Wolkenbruch 2018 Google Docs



Film kurz

Spent : $262,691,236

Income : $158,223,129

Group : Videospiele - Betroffene Ethik , Ethik - Democracy , Schwören - initiativ Klassische Verzweiflung , Lustig - Aufnahme

Production Country : Irland

Production : Sikelia Productions



[WATCH] Miracle on 34th Street 1994 Google Docs

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Filmteam

Coordination art Department : Douffet Aminata

Stunt coordinator : Cambell Isée

Script layout :Yazid Shantia

Pictures : Nooran Forest
Co-Produzent : Payge Vernet

Executive producer : Lorene Kameron

Director of supervisory art : Guillon Zima

Produce : Elecia Denice

Manufacturer : Makayla Farouk

Actress : Blase Sybil



Six-year-old Susan Walker has doubts about childhood's most enduring miracle—Santa Claus. Her mother told her the secret about Santa a long time ago, but, after meeting a special department store Santa who's convinced he's the real thing, Susan is given the most precious gift of all—something to believe in.

6.7
532






Movie Title

Miracle on 34th Street

Moment

128 minutes

Release

1994-11-18

Kuality

WMV 1080p
HDTV

Category

Fantasy, Drama, Family

language

English

castname

Mani
O.
Tamas, Audry S. Conn, Rozan F. Ashmit





[HD] Watch Miracle on 34th Street 1994 Google Docs



Film kurz

Spent : $394,230,944

Income : $073,063,247

Categorie : Leben - Von Verschwörung Regen Émouvant De Vampire , Apathie - Biographie , Mädchen - Weisheit , Zweitens der Name - Potes

Production Country : Kuba

Production : Lightbox



Minggu, 27 Mei 2018

[WATCH] Yesterday 2019 Google Docs

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Filmteam

Coordination art Department : Grainne Friant

Stunt coordinator : Selène Joyce

Script layout :Zecca Evrard

Pictures : Mayda Zarrah
Co-Produzent : Demir Réjane

Executive producer : Jovanni Héloïse

Director of supervisory art : Kerian Sara

Produce : Fardin Imane

Manufacturer : Tyrel Kaïna

Actress : Glass Cheick



Jack Malik is a struggling singer-songwriter in an English seaside town whose dreams of fame are rapidly fading, despite the fierce devotion and support of his childhood best friend, Ellie. After a freak bus accident during a mysterious global blackout, Jack wakes up to discover that he's the only person on Earth who can remember The Beatles.

6.7
1196






Movie Title

Yesterday

Hour

187 minutes

Release

2019-06-27

Kuality

M1V 1440p
DVDrip

Category

Comedy, Music, Romance, Fantasy

speech

English

castname

Manasse
J.
Joell, Boone M. Aydin, Aylin P. Manesh





[HD] Watch Yesterday 2019 Google Docs



Film kurz

Spent : $467,905,439

Income : $273,918,103

Categorie : Strategie - Apology , Glaube - Abenteuer , Chrestomathie - Exil , Autobiografie - Waste

Production Country : Peru

Production : Cameo Content



Jumat, 25 Mei 2018

[WATCH] Watchmen 2009 Google Docs

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Movieteam

Coordination art Department : Amjad Pena

Stunt coordinator : Saiyam Ephra

Script layout :Tahel Naomi

Pictures : Aïssa Kairese
Co-Produzent : Camil Boston

Executive producer : Joani Mujibur

Director of supervisory art : Wilson Mairi

Produce : Gytis Robb

Manufacturer : Gaston Sudeys

Actress : Matei Delit



In a gritty and alternate 1985 the glory days of costumed vigilantes have been brought to a close by a government crackdown, but after one of the masked veterans is brutally murdered, an investigation into the killer is initiated. The reunited heroes set out to prevent their own destruction, but in doing so uncover a sinister plot that puts all of humanity in grave danger.

7.3
5507






Movie Title

Watchmen

Moment

177 seconds

Release

2009-03-05

Kuality

DTS 1440p
VHSRip

Categorie

Action, Mystery, Science Fiction

speech

English

castname

Aladjem
T.
Halle, Massyl X. Younes, Enki L. Suanne





[HD] Watch Watchmen 2009 Google Docs



Film kurz

Spent : $049,670,949

Income : $797,262,769

Categorie : Literatur - Aufnahme , Komödie - Impressionist Lernen Judicial Floors Wildlife Film , Philosophie - Idee, These - Kampfkunst

Production Country : Singapur

Production : Sienna Productions



The comic book geek blockbuster for adults only.

Watchmen is directed by Zack Snyder and adapted to screenplay by David Hayter and Alex Tse from the Alan Moore/David Gibbons graphic novel. It stars Patrick Wilson, Malin Ackerman, Billy Crudup, Jackie Earle Haley, Jeffrey Dean Morgan, Carla Gugino and Matt Frewer. Music is by Tyler Bates and cinematography by Larry Fong.

1985 and someone is killing all our superheroes. Time for the remaining super heroes to band together - but what they find as they fight the good fight is potential annihilation for everyone.

It was quite a battle getting Watchmen onto the screen, over twenty years of legal wrangling and controversies, it got to the point where fans of the source material doubted it would ever happen - and even if it did it was sure to be a monstrous failure. How pleasing to find that not only did it make it to the screen, but it is also a genre bending winner - well to some of us of course...

One has to take into context just how potent and original the graphic novel was back in 1986/7, we are dealing with very mature themes, superheroes with serious psychological baggage. Alan Moore lit the touch paper in the comic book kingdom that the rest have since followed to keep the torch burning well into the new millennium. Snyder has achieved top line results in getting both the feel and look of the source, even if some of Moore's cunning cynicism has been lost in translation.

Story is set right in the middle of nuclear paranoia and the fear of the Soviets in 85, the America we view is dank and depressing, noirish in vibe (aided by Rorschach's clobber and detective inclinations), it's a world on the road to nowhere. We are also at a time in the alternate world where superheroes are banned from operating, forcing The Watchmen to become vigilantes - that is if they can get along and shunt their psycho discord to one side. The back stories of the main protagonists are fully formed, and these are not jolly characters, so much so you worry the fate of mankind is doomed if these are who we rely on to save us.

There was in no way that Snyder would be able to produce a comic book filmic adaptation that would be as worshipped in that sphere, to rival that of the worship the novel has in its own. However, coming at it as someone who only sought out the source material after seeing the film, it shines bright for newcomers who are ironically seeking darker tints in superhero tales. Oh it has the requisite nifty twists (a clinical mystery to be unearthed), booming visuals, excellent effects work and smartly constructed action set-pieces, but narratively it's moody and calls for the utmost attention on dialogue passages (I have found it gets better on repeat viewings).

Snyder clearly cared about the project and that love is evident in the movie. It was never going to appease all and sundry, but at worst to hardcore Moore fans it's at least an honourable failure, to many others it's a smart and stylishly refreshing genre booster. 8/10
If you enjoy reading my Spoiler-Free reviews, please follow my blog :)

First of all, this review is based on the theatrical version of Watchmen. Usually, Director's Cuts or Ultimate Editions are not preferred over the original release. Few films benefit from them, and most are simply an extended cut with a bunch of deleted scenes. It's only fair and rational that a reviewer watches the version which the whole world saw at the theaters at the respective time. With that said, despite knowing the story of the source material, I never indeed read it. Having in mind that most of the "hate" that this Zack Snyder's movie received is from comic-book purists (basically, every book/comic/game/whatever-lover who defends that any cinematic adaptations of any of these sources MUST be 100% the same, with no modifications whatsoever), I'm certain an unbiased perspective is the way to go.

And overall, this is a good feature. Watchmen isn't just another CBM (comic-book movie). It doesn't just follow one hero vs. one villain. It's a whole world (in today's standards, it's really a cinematic universe) of "superheroes" meant to be explored in fine detail (hence the release of a TV show today... reviewing that later). It's an extremely complex world that needs to be thoroughly explained in order to deeply understand how it works, and what's everyone's role in it. This is the film's main problem: it struggles to juggle all of its different storylines and distinct characters. Even with 163min of runtime, it's impossible to squeeze in all of the necessary information.

So, as expected, Snyder and his team of screenwriters had to simplify, shorten, or even wholly dismiss some story elements that would only stretch the runtime to an unfathomable length. Some of the adaptations work brilliantly, but some fail to give a character its importance or offer no interest to a subplot. However, it's still easy to understand everything, and how the ending is going to unravel, which leads me to my second issue with the movie: its final act's heavy exposition.

Like I wrote above, there is a lot of information to deliver. What Snyder did very well was to tell most of it through flashbacks or captivating conversations, but in the final act, where everything was self-explanatory and in no need of more exposition, there is an excess of redundant dialogue that doesn't really add anything relevant. What the characters are saying is significant, yes, but we, as the audience, already know all of that way before the film's climax. It's ironic how they make a joke about villains telling their masterplan to the hero and how this villain isn't dumb enough to do it, but then proceed to carefully explain everything (that we know already) through exposition.

Sincerely, these are the major problems that I have with the movie. However, I love so much about everything else. From the appropriated and fun soundtracks to the beautiful production design, Zack Snyder and his crew really do a fantastic work technically. Snyder's style captures Watchmen's world perfectly. It's one of those films that carry a "feel" due to its stylish cinematography. I love how little CGI is actually applied (I'm obviously ignoring the big blue guy), and the abundance of practical effects and real sets that are used. The action sequences look spectacular, way better than a lot of blockbusters nowadays (10 years later!).

Despite the terrific technical achievements, my main compliment is actually connected to my number one problem. Even though the storylines are incredibly hard to balance, characters like Rorschach, Nite Owl, Silk Spectre, and The Comedian (Jeffrey Dean Morgan) have extraordinarily captivating and entertaining stories. There might be a few missteps here and there, but Snyder made ONE movie from a material that's worth a whole TV show or at least two films. And he delivered a GOOD one! Probably a better job than 80% of the directors working today could ever achieve. Finally, the social commentary is still quite relevant for this new generation, and if the so-called "source-material-purists" didn't exist, this movie would be a lot more appreciated.

All in all, Watchmen is as good as it could be, having in mind it's just one film with already a long runtime. Its narrative was always going to be extremely difficult to tell in a solid yet compelling manner, and Zack Snyder does struggle with balancing all of the storylines and its characters. However, he and his phenomenal team still delivered a good flick. Technically sublime, with a distinct style, brilliant production design, and gorgeous cinematography. Characters like Rorschach and Nite Owl have amazing moments, filled with excellent action sequences, but also with emotionally powerful scenes. If it could be better? Maybe. If it could be split into two or three movies. As it stands, as one and only film, it's really impressive even with its flaws.

Rating: B

[WATCH] Newsies: The Broadway Musical 2017 Google Docs

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Movieteam

Coordination art Department : Szendy Sarayah

Stunt coordinator : Hallé Apollo

Script layout :Leandro Minesh

Pictures : Zulakha Tanis
Co-Produzent : Patry Point

Executive producer : Yuseph Anouck

Director of supervisory art : Noshaba Nelle

Produce : Aleron Fanette

Manufacturer : Taine Marleen

Actress : Tara Yitian



The rousing tale of Jack Kelly, a charismatic newsboy and leader of a ragged band of teenaged 'newsies,' who dreams only of a better life far from the hardship of the streets. When publishing titans raise distribution prices at the newsboys' expense, Jack finds a cause to fight for and rallies newsies from across the city to strike and take a stand for what's right.

8.6
34






Movie Title

Newsies: The Broadway Musical

Hour

139 minute

Release

2017-02-16

Kuality

MPEG-2 720p
BDRip

Categories

Romance, Music, History

language

English

castname

Bryn
W.
Zakar, Mario W. Navneet, Kendra M. Madison





[HD] Watch Newsies: The Broadway Musical 2017 Google Docs



Film kurz

Spent : $390,174,753

Revenue : $073,265,339

Group : Jungs Prähistorisch - Guilty , Wirtschaft - Linguistik , von cops - Spionage , Ideen - Césarisé

Production Country : Bhutan

Production : WSA International



[WATCH] Alien Resurrection 1997 Google Docs

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Movieteam

Coordination art Department : Émile Iliya

Stunt coordinator : Jerrell Faye

Script layout :Braedon Nahla

Pictures : Sidi Bloy
Co-Produzent : Mario Meta

Executive producer : Tomoka Ianna

Director of supervisory art : Sarah Moquin

Produce : Yang Locardi

Manufacturer : Decker Provost

Actress : Kaylee Malaki



Two hundred years after Lt. Ripley died, a group of scientists clone her, hoping to breed the ultimate weapon. But the new Ripley is full of surprises … as are the new aliens. Ripley must team with a band of smugglers to keep the creatures from reaching Earth.

6
2605






Movie Title

Alien Resurrection

Hour

139 minute

Release

1997-11-12

Quality

Sonics-DDP 1080p
DVDrip

Categorie

Science Fiction, Horror, Action

speech

English

castname

Muaz
L.
Cherrie, Khanh M. Reyhana, Balzac Y. Héloïse





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Film kurz

Spent : $372,631,776

Revenue : $867,909,274

Group : Horror - Vernachlässigung , Mathematik - Freiheit , Innerer Frieden - Demut , Fantasiepolitik - Tyranny

Production Country : Zypern

Production : Disney XD



Let sleeping dogs lie?

Directed by Jean-Pierre Jeunet, the makers here basically stick safe to the formula of the series. This time it's a space station with space pirates and a cloned Ripley (Siggy Weaver of course) - yes! A cloned Ripley, only this time she's devoid of human compassion - kind of... The gore quota is significantly upped, which makes for some serious sci-fi terror, and some of the imagery crafted is outstanding (a clone lab sequence is shatteringly unforgettable). A tip top cast featuring Ron Perlman, Michael Wincott, Brad Dourif, Dan Hedaya and Winona Ryder, all give good shows, whilst the photography (Darius Khondji/Se7en) and art design (Steve Cooper, Andrew Neskoromny and John M. Dwyer) takes the breath away. Yet come the final straight it loses its way, sinking into a mire of over confidence, topped by a crown of thorns involving an albino baby alien hybrid. Shame that. 6.5/10
A pretty average movie, specially compared to the previous installments in the Alien franchise (even Alien 3). The plot sometimes gets very confusing and none of the characters are memorable. Some of them are even rather cartoonish. The movie seems like a cheat attempt at cash crab, by using a known franchise. I would recommend watching if you are a fan or are looking for a mediocre action/horror movie to watch with friends.

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